Exhibition dates: January 15 – February 19, 2021
Please review our COVID-19 procedures in full here.
Virtual artist talk: Saturday January 23, 2pm CT
ASL interpretation is available by request for Deaf attendees. Requests must be submitted by 5pm on Wednesday January 20 to firstname.lastname@example.org.
The virtual artist talk will be delivered via Zoom. Zoom’s automatic closed captioning function will be enabled during the presentation. The Zoom link to access the event will be shared the week of the event. You do not need to download Zoom ahead of time, but you may do so at https://zoom.us.
This event will be recorded. Please turn off your video when joining the Zoom meeting if you prefer not to be recorded.
These events are free to attend and open to the public.
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Inversion engages with the anxiety, fear, and speculation about the future of the planet by imaging the world if the Anthropocene reaches its predicted negative climax of uninhabitable climate change, shrinking biodiversity, and unsustainable development. Imagining what remains after the projected extinction of humanity, the work explores the idea of systemic failure by examining the relationship between the biologic, environmental, and man-made. Blurring the lines between the human body, the natural and the manufactured landscapes, the exhibition traces a speculative history of the Earth from creation to destruction, questioning and emphasizing the role of human industry through the conspicuous absence of people.
My combined interest in psychology, anatomy, and memory has previously led me to explore the concept of embodied memory in my practice. Embodied memory is the idea that the human body physically records experiences and trauma in its cells, tissues, and genes. Recently, I have begun to examine the similar ways the environment and the human body processes and remembers trauma. Paralleling the system of the human body to the ecosystem, my work attempts to compare how both the Earth and body retain deep forms of memory in the atoms, molecules, and structures they are composed of. The idea that the environment has memory raises the question of the permanency of damage and pollution caused by human industry in the current epoch of the Anthropocene.
My work explores the anxiety, fear, and speculation about the future of the planet by imaging the world if global warming reaches its predicted negative climax of uninhabitable climate change, shrinking biodiversity, and unsustainability. Drawing inspiration from early anatomical illustrations, earth science diagrams, industrial and urban architecture; my prints, print-based installations and drawings engage with our anxieties, fears, and speculations about the health of the planet and the viability of the human species. The work explores the idea of systemic failure while drawing parallels between the biologic, environmental, and man-made. The layering and juxtaposition of these references creates speculative landscapes that are simultaneously strange and familiar, ruined and animate, geologic and bodily.
Jill Ho-You is an Assistant Professor in Print Media at the Alberta University of the Arts in Calgary, AB. Her practice explores the intersection of trauma, embodied memory, and the environment through a mixture of print media, bioArt, installation, and drawing. Her work has been exhibited internationally, including solo exhibitions at the University of the Arts in Philadelphia and The New Gallery in Calgary, AB. She has participated in numerous group shows such as at the Kyoto Municipal Museum of Art, Japan; International Print Center New York, USA; and the National Taiwan Museum of Fine Art, ROC.
Ho-You is the recipient of grants from the Canada Council for Arts and Alberta Foundation for the Arts and has participated in residencies at Open Studio in Toronto, ON, the University of Windsor, ON and St. Michael’s Printshop in St. John’s, NL.
Her work can be viewed online at www.jillhoyou.com and on Instagram @jrhoyou.